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Photographing into the sun? Do this to remove lens flare

Photographing into the sun? Do this to remove lens flare

Including the sun in your photograph can provide a dramatic focal point to draw the viewer’s eye, but capturing and processing a pleasing photo takes more than a simple snapshot.

The photo I’m working with here was captured on a morning outing in which I was hoping for a colorful sunrise on a mountain lake, but the skies were completely clear and there was little color to be had. However, I turned around and had a nice view with the creek draining out of the lake so instead set up and waited for the sun to break the horizon.

There were two key challenges with making this photo while photographing directly towards the sun:

  • Achieving proper exposure (the sun/sky isn’t too bright and the landscape isn’t too dark)
  • Lens flare as a result of a strong light source entering the lens

Here’s how to overcome both of them.

My Standard Lightroom Edits

My Standard Lightroom Edits

In my weekly newsletter I often give a brief summary of my processing of the the raw image file. Read the newsletter for any amount of time, though, and you’ll quickly see that my edits are often similar across images. While I limit the amount of detail in the newsletter, I thought I would further explain my most common edits here.

Upcoming Wildlife Photography Course (DU)

Upcoming Wildlife Photography Course (DU)

Few experiences in the outdoors can top encounters with wildlife. Whether sought-after or unanticipated, it is a special experience to come upon elk in Rocky Mountain National Park, a mountain goat on Mt. Evans, or even a deer at your local park. But have you ever pointed your camera at an animal only to be disappointed by the results? Join me for an upcoming course that I’m teaching through DU’s enrichment program to learn both technical tricks and creative secrets to bring your wildlife photography to … well, LIFE!

How to have National Parks to Yourself

How to have National Parks to Yourself

It’s summer and all across America, people are heading to our National Parks. Marketing efforts to get people out to the parks, an increase in demand for experiences over things, and perhaps a desire for picturesque Instagram photos, among other factors, has driven record crowds at Parks across the country.

In fact, the past three years (2016-18) have been the busiest three on record, though 2018 was back down a little. My “home” park, Rocky Mountain National Park, is the third busiest in the system with visitation approaching 5 million.

(As a quick aside, I’m not complaining about the crowds. I’m glad people are out visiting our parks, because if people are having great experiences in our parks, then hopefully they’ll be supporters/defenders/stewards of them in the future.)

With so many people, how do you work around them, either for photography or just your own solitude?

Here are the top ways I commonly navigate (away from) the crowds:

1. Go early. While each park can be different, most visitors typically aren’t out at sunrise. During the peak season, I will still see some people, but seeing or passing a handful of visitors is a lot better than the dozens or more just a few hours later.

Sprague Lake at sunrise, nearly to myself
No Tripod? No Problem

No Tripod? No Problem

If you’re a landscape photographer, a tripod is probably one of the pieces of equipment you most consistently carry into the field. When a new landscape photographer is looking to expand their toolkit, a tripod, even an entry level model, is always at or near the top of the list. Effectively using a tripod can allow you to: